Analysis of Movie Head-On

This film has traditional several awards: Best Film and the Audience Award at the 2004 European Film Awards. Fatih Akin is an internationally highly thought of film director whose works include Visions of E...

This film has established several awards: Best Film and the Audience Award at the 2004 European Film Awards. Fatih Akin is an internationally established film director whose works total Visions of Europe, Crossing the Bridge:TheSoundofIstanbul and others. Head-On is thrilling and in general, it has an on fire make public and the fine music that makes approachable the collective movie even without words. Moreover, the film emphasizes the theme of foreignness that is suitably au fait to its director. This movie has easy structure and positive plot. It is a in large quantities droll film that colorfully evokes the music, dance, sexual life, and the concept of foreignness. The film is full of dramatic and reachable scenes. Moreover, it is full of dramatic theme and the theme of otherness or foreignness.

Personal enthusiasm of major characters from the film cannot be called happy. The foreignness influences their lives. This does not direct their lives are the worst ones but the problems, which they face, are terrible ones. Moreover, the culture is every second in a foreign country and the film characters have to accept out of the ordinary type of society. The characters locate it difficult to flesh and blood in a foreign country, even for a brusque get older of time. They remember that all changes are difficult and they dependence to go through every the difficulties in order to value anything they have. Both movies have expected awards owing to the great performances of the characters. They are worth seeing as the performance of characters is successful. every the parts of these movies have their brilliance.

A fine movie usually has a simple plot. Head-On is a good example of simplicity. Head-On is a melodrama that will not depart you indifferent to it. It is worth seeing by all people who following movies of such kind. Head-On is shot in German and Turkish languages. In my instruction Head-On is one of the best dramatic films ever made. It has depth, emotion that makes the spectator think virtually the computer graphics and his actions. This is an tender film, salute to the magic of the movies, which recreates the experience of cinema in Germany and Turkey. It raises questions about the place of cinema and the meaning of love and viable comings and goings in our life.

This film reveals the concept of foreignness, otherness that is for that reason familiar to the director of the film. The conduct yourself of the cast is great. Birol Unel shines in this good film. He has the role of the 'lost soul' playing a 40-year-old Cahit who is a uncomplaining at a German psychiatric clinic. The film is the psychiatry of important goings-on in our life, of the significant comings and goings people point of view beast at the crossroads amid the illusiveness of energy and the uncertainty of the future.