Hollywood Movie
Commercial prospects are unquestionable within the dramatic arena, though ad campaigns at an angle too hard on the comic element could lead to disappointed audiences.
First-timer Sam Levinson proves to be a confident and unshowy director, one fortunate to have a skillful cast investing its all in his screenplay. though some of the movie's performances flirt in the manner of caricature (Siobhan Fallon's loud-mouthed aunt, Demi Moore as a brash and overtly sexual second wife), the movie has a middle of gravity just strong enough to contain them.
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Ellen Barkin plays Lynn, a mommy who has made her allocation of missteps but wasn't dealt a good hand to start with. Lynn comes entirely close to collapse (and gets in one actual catfight) even if a pain to wrangle two frightened sons and a restless daughter through an already stressful intimates event -- her third son, raised by Lynn's divided husband (Thomas Haden Church, paired past Moore), is getting married at Lynn's parents' Anapolis home. It's a scene promising fraught reunions and grudge-driven friction, particularly amid the two women who call the groom "son."
Barkin, who produced the film, has secured for herself a full-tilt role requiring a thousand shades of vulnerable alarm bell and angry desperation; she's made for the part, and manages to elicit both disapproval and sympathy from the viewer, sometimes simultaneously. But the actress has competition in Ezra Miller, who as Lynn's drug-abusing, emotionally damaged middle son is the movie's sardonic, damaged soul.
The portray is littered similar to supporting turns that leave their mark, particularly that of Ellen Burstyn, who as Barkin's mother, Doris, typifies the kind of moral ambiguities Levinson's script trades in: later than Doris criticizes Lynn's craving to create a big agreement of every emotional obstacle, she isn't wrong. But the nice of stuff Lynn faces -- an ex who abused her and is still treated delectably by her mother, a self-harming daughter practically to have to deed him after six years of anxious distance, a son who curses at her and sabotages all try at normalcy -- is passable to make anyone crack.
The angsty-wedding film may be its own genre now, and our overfamiliarity later than its building blocks make one or two sequences here, especially the post-nuptials toasts and drunken dance-floor action, air somewhat longer than necessary. But past ante-upping mishaps postpone the party, Levinson is firmly incite in run -- playing both grief and relieve in the manner of a same restraint, and refusing to milk the decree for the cheap catharsis typically seen in these we're-all-messed-up-together affairs.
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Venue: Sundance Film Festival, U.S. Dramatic Competition
Production company: Mandalay Vision
Cast: Ellen Barkin, Ezra Miller, Kate Bosworth, Demi Moore, Thomas Haden Church, George Kennedy, Ellen Burstyn, Michael Nardelli
Director-screenwriter: Sam Levinson
Producers: Ellen Barkin, Pamela Lynn Fielder, Peter Guber, Johnny Lin, Michael Nardelli, Salli Newman, Celine Rattray, Todd Traina
Executive producers: bill Brady, William T. Conway, Cynthia Coury, Peter Crane, Caroline Kaplan, Elana Krausz, Sean McEwen
Director of photography: Ivan Strasburg
Production designer: Michael Grasley
Music: Olafur Arnalds
Costume designer: Stacey Battat
Editor: Ray Hubley
Sales: CAA
No rating, 118 minutes
Article Tags: substitute Happy, Movie 2011
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